The furor caused her to flee to Europe for a period. Félix was criticized heavily for wearing trousers at his funeral. The couple married in 1953 after a brief romance, but tragedy struck when Negrete died just 14 months of Hepatitis. She met actor-singer Jorge Negrete in 1953 whom she had previously met during the filming of El Peñón de las Ánimas in 1942. Lara wrote many songs just for Félix, including classics such as Humo en los Ojos, and El Chotiz Madrid and the very famous María Bonita, but the marriage didn’t last very long and the couple went their separate ways in 1947. Félix married Lara in 1945 after being introduced by a common friend. Alatorre attempted to kidnap their son Enrique after a major fallout and was rescued by her would-be second husband, Augustin Lara, a noted composer. Personal Life and Relationshipsįélix married 4 times the first time to Álvarez Alatorre (1931-38). After two failed attempts to rejoin films, Félix never acted in the movies again.
#MARIA FELIX PROFESSIONAL#
Historical TV drama La Constitución (1971) was her last professional acting job. She starred alongside Dolores del Río (her rumored rival) in the lead in the historical drama La Cucaracha (translated: The Soldiers of Pancho Villa ) in 1959 and won a Menorah Award for it.Īs the 60s approached, her appearances declined. Prominent among these are Canasta de cuentos mexicanos, La Escondida and Café Colón. Later Careerįélix starred in many films revolving around the Mexican Revolution in the 50s. In France, she shot for the Jean Renoir directed French Cancan (1954), Les Héros sont Fatigués (1955) and La Belle Otero (1954). She appeared in the France-Spain-Italy co-produced Messalina, considered to be very expensive for that period, in 1951. Europe Film Careerįélix worked in many Spanish movies such as Mare Nostrum (1948), La noche del sábado, and Una mujer cualquiera (both in 1950). She would soon be contacted by Spanish film producer Cesáreo González, which would change her direction and land her major roles in Europe. These movies, along with Roberto Gavaldón’s La diosa arrodillada (1947) would go on to establish her presence in Europe. She would win her third such award for Doña Diabla (1949). In 1946, Félix met Mexican director Emilio Fernández, with whom she would go on to work in three movies, Enamorada (1947), Río Escondido (1947), and Maclovia (1948), This was a departure from her usual vamp image and would win her two Ariel Awards (for Enamorada and Río Escondido).
Two other films, La Mujer sin Alma (1944) and La devoradora (1946), would establish her image as a vamp in the Mexican film industry.
#MARIA FELIX MOVIE#
The movie had such an impact that Félix was referred to as Doña Bárbara throughout her career, and would have roles built around that image. In the movie, she is portrayed as a strong woman who has been wronged in her youth, making her bitter, vindictive and vengeful. But it would take her two more movies, María Eugenia (1942) and Doña Bárbara (1943), to ascertain her stardom.ĭoña Bárbara would establish her femme fatale image for years to come. The movie was a huge success and catapulted her to recognition. The movie’s star was Jorge Negrete, a hugely popular figure and singer whom Félix would marry, years later. After a lot of persuasions, Palacios started promoting her in film circles.Īfter a lot of contemplation and even rejecting a Hollywood offer, Félix agreed to star in Mexican director, producer and writer Miguel Zacarías’s film El Peñón de las Ánimas ( The Rock of Souls ) in 1942.
” She was discovered by filmmaker Fernando Palacios while she was walking down the street. Film Careerįélix appeared in many movies during the period known as the “ Golden Age of Mexican Cinema. The couple had a child, Enrique in 1935, but the marriage didn’t last long and they divorced in 1938.įélix relocated to Mexico City with her son to escape the scrutiny and gossip she would have had to undergo as a “divorcee.” Félix soon found work as a plastic surgeon’s secretary in the city. It was in Guadalajara that she met Enrique Álvarez Alatorre, a salesman, whom she married after a brief romance in 1931. She would soon get a taste of the times ahead when she was crowned as the Beauty Queen by her university, University of Guadalajara. The family moved to Guadalajara when Félix was 17 and that is where she went to university. She was one of the 16 children born to Bernardo Félix Flores, an army officer, and Josefina Güereña Rosas. María de Los Ángeles Félix Güereña, better known as María Félix, was born on April 8, 1914, in Alamos, Sonora, Mexico.
#MARIA FELIX FULL#
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